You become invested in the characters you create for your books and even scripts if a character becomes a recurring character on a show. I had that happen on Reasonable Doubts, and it was cool. It was very hard for me to write the end of the relationship between that character and Marlee’s character. I got a bit teary as I typed. It is said that when Dumas killed Porthos in The Vicomte of Bragelonne: Ten Years Later he laid down his pen, unable to continue so great was his grief. I can understand that. I’ve spent years with my Imperials characters. I’ve been with them through all their trials and tribulations, victories and heartbreaks.

And now I’m only four scenes from typing the end of the fifth and final book of the Imperials saga. When I sat down to plot the arc of the series I knew it was 5 books and out, but now that the moment has come I’m resisting. I will push through, and write the ending I envisioned all those years ago. Because endings are critical. If you don’t stick the landing nobody will care that it was a great ride. It has to be satisfying, real and honest, and grow organically from the events that have led up to that ending.

Sometimes I find myself writing faster and faster as I approach the end. This time the opposite is happening. I’m filling in some small scenes that I realized I needed to bring me to that denouement, but I’m resisting writing those final scenes. I know the absolute final scene of the book. I could sit down and write it right now, but I’ve never been able to do that. I have to make the journey with my characters, feel their emotional reaction. Understand exactly where they are at any given moment.

So once I write the action climax, the two falling action scenes, and that final moment. It’s over. At least for now. But that doesn’t mean I can’t tell more stories in the Imperials universe. It’s a big canvas, with a large cast of characters and a new generation.

But saying farewell is never easy.