My friend Ty Frank had a wonderful blog post that I read today entitled Giving Birth.  Something he said got me thinking about the difference between plot and meaning.  What happens versus what it’s about.

I realized that for years when I ran writer’s rooms in Hollywood, and even in my prose writing groups here in N.M. I would often turn to a writer and ask them “What is this script/story/book _about_?”  Then I would add, “And you have to tell me in one sentence.”

Because I didn’t want to hear a rehash of the plot, all the steps that led the hero to the final conflict and victory.  I wanted to know what does it mean?  What light are you shining on the human condition?  How will this story resonate with a reader.

Which then got me to analyzing my love of plot and why I’m so intent about each step making sense and having been thought out in advance.  Because I realized this morning that plot is the mechanism by which meaning is revealed.

Just as punctuation enabled the written word to be more than just word salad, and actually convey meaning, plot serves the same purpose for a story.  If all you have is plot then it starts to feel like beads on a string — and then this happens, and then this happens and then this happens — but they are just random events occurring sequentially and they are  not linking to that whole.  If you have both plot and meaning, (emotional truth if you will) then readers and viewers will be touched, affected and perhaps changed by experiencing this story you have brought to them.